Publication Date: March 21, 2023
22-year-old aspiring writer Edith ‘Eddie’ Miller and her best friend Rose have always done everything together-climbing trees, throwing grapes at boys, sneaking bottles of wine, practicing kissing . . .
But following their debutante ball Rose is suddenly talking about marriage, and Eddie is horrified.
When Eddie meets charming, renowned poet Nash Nicholson, he invites her to his crumbling Gothic estate in the countryside. The entourage of eccentric artists indulging in pure hedonism is exactly what Eddie needs in order to forget Rose and finish her novel.
But Eddie might discover the world of famous literary icons isn’t all poems and pleasure . . .
I really enjoyed this book, although there were many places where it dragged a bit and felt too-long. I also don’t know that I would call it “the best laugh-out-loud Regency romp of 2022” as it is advertised. There were funny moments, but a lot of it was more Eddie being painfully oblivious to what was going on around her. She’s so in her head and fixated on the idea of being a published writer – as well as in complete denial about how she feels about Rose – that she doesn’t really see what’s happening until it’s (metaphorically) hit her across the head a few times.
Poor long-suffering Rose stands by Eddie faithfully until she has to take a stand (which, good for her) and even then Eddie doesn’t wake up to what’s going on. Really, Eddie has a lot of growing up to do in this book before she becomes a likeable character. I was constantly tempted to shake Eddie and go “oh, come on!”
Nash was an excellent villain. He at first seemed fun and playful, and the scene with him charming Eddie’s entire outlandish oddball family was endearing. Nash’s charming of everyone takes on a darker cast, however, as the book progresses and his true character comes to light. As with everything else, his true character comes to light MUCH later for Eddie than for everyone else, as she is again painfully oblivious and in complete denial. She’s fixated on the idea that he can get her published and all else is seemingly easy for her to ignore.
The ‘house party’ adventure gets wilder and stranger the longer it goes on, and I felt a lot of secondhand embarrassment at Eddie’s refusal to see what’s happening around her. Or maybe it’s just a willingness to overlook just about anything with the dangling possibility of a book deal.
I mean, the house practically falls down around their ears and no one bats an eyelash. To say that the people in Nash’s orbit are strange is… an understatement.
I found the cast of weirdos to be quite wonderful, however. I’ve always been drawn to the outcasts and those who buck the strictures of society, so I did appreciate the bohemian outlook they had. And I liked them all the way to the end – it’s just Nash (and to a lesser extent his wife) that gets revealed to be more terrible every day.
The ending was cathartic after the mess that went down, and after Eddie’s eyes are opened to a few things. Eddie still isn’t my favorite character, but I did like her more by the end, even though I don’t think she does enough to earn Rose’s forgiveness.
The writing was really beautiful and evocative, and the audiobook performance was great. The narrator did a fabulous job capturing everyone’s mood and personality, and the voices the narrator chose were perfect for the characters.
*Thanks to NetGalley, St. Martin’s Press, and Bonnier UK Audio for providing an early copy for review.